In the structure of the space, there are two walls, which are twisted and twisted by paper-cutting cracks, so that the light and shadow flow between the ground and the wall due to the flow of time, so that the space presents a variety of changes in appearance and tension of life. In the space with life tension, the designer injects more humanistic atmosphere into the life with exploratory artistic creation. The artistic structure is also the focus of the spatial design planning, linear network structure, regular and irregular use. The volume constructed by the wire net has the function of separating and displaying the objects. The visual changes produced by the interlacing give the user a feeling of illusion to the space between the movements. In the overall gray space, the most striking but extremely harmonious red chandelier incorporated into the space. The elegant curve of the steel plate makes people’s cognition of the steel plate no longer a chilly material. The color of the rust-proof paint is red, faithfully showing the texture of the steel. The presentation of space mostly reflects the needs and mood of the occupants. The main material presented by the simple nature of cement as the overall atmosphere reflects the pure pursuit of the occupants. The collectible at the entrance, from the centuries-old rug of the Republic of Uzbekistan in Central Asia, its hemp fabric reveals the traces of the tempered years, and the works of art, the original eucalyptus that once contributed to Taiwanese architecture. The related materials such as copper and iron are also present in the space, which makes the tranquility a little more varied. The use of wood and stone also makes the space more warm and meticulous. The presentation of the main bath mineral cement and the waterproof Malay lacquer unspeakably expresses the pure feeling of the user’s pursuit of living space.